Eloy de la Iglesia. El placer oculto del cine español is a collective essay coordinated by Carlos Barea that delves into the vibrant and complex career of one of the most important directors of the Spanish Transition. Responsible for popular titles such as El techo de cristal, La semana del asesino, El diputado, El pico, and La estanquera de Vallecas, Eloy de la Iglesia was initially scorned by critics of the time for his commercial ambitions but has been reclaimed by new generations. This work offers a deep insight into his filmography and impact on Spanish cinema.