Limiting any definition of Campúa to the tille of “Franco´s photographer” means falling prey to reductionism. The vantage point offered by this book allows us to delve deeper into Campúa´s work and discover him as a multifaceted figure. This book offers us the chance ot overcome stereotypes, expand our viewpoint and see the portrait created as an entire society walked in fornt of the camera held by this great master of twenthieth-century Spanish photography.